Modular synthesis is a type of sound synthesis that involves using individual analog sound modules to create unique sounds. It’s a fascinating world of audio exploration where analog studio equipment meets sound generation. The process of modular synthesis involves physically making connections of energy with cables, creating complex functions that make music together. For me, it’s a meditative process that takes all day, but it’s worth it when I can create sounds that I have in my mind without any hesitation or latency problems that are often encountered with many digital platforms or DAWs. Also the music created with such systems are fundamental to making soundscapes and generate ideas that can later be implemented in full production.

The beauty of modular synthesis lies in the fact that the sound is not pre-programmed or limited by software. Instead, it’s created in real-time through the physical manipulation of cables and knobs. This allows for infinite possibilities when it comes to sound design, and the ability to create truly unique and original sounds.

To supplement my analog sound modules, I also make use of VCV Rack – a digital modular synthesis DAW that offers real-life clones of modules that would otherwise be expensive to purchase on my own. Using some studio techniques, I have found a way to integrate this digital platform in real-time with my physical analog modules, creating a hybrid system that combines different techniques of audio generation.

VCV Rack has been a game-changer for me, allowing me to experiment with different sound modules and signal paths without breaking the bank. By offering a vast library of modules, I am able to expand my sonic palette and add new dimensions to my music. Additionally, VCV Rack allows for easy saving and loading of patches, making it easy to recall previous settings and configurations.

The ability to combine VCV Rack with my physical analog modules has been a significant step forward in my exploration of sound generation. I have found that this hybrid system offers the best of both worlds – the precision and flexibility of digital processing, combined with the warmth and character of analog sound modules. It’s a process that has allowed me to push the boundaries of what is possible with sound, and I am excited to see where this journey will take me. You can already hear many of it’s influences in my music, for instance the last track on AEROSPACE called AMALGAMATE is completely made with analog sounds, including it’s drum machines.